I'm Amaya Patterson
Brand Designer & UX Researcher

I ask why first. Then I design what works.

Currently: in Maryland, relocating to Abu Dhabi July 2026, open to UX research roles.

See the work
Portrait of Amaya Patterson.

About · Life as Data

A researcher, by way of obsession.

I didn't start out wanting to be a researcher. I started out wanting to make brands that attracted people ready to spend money — which meant constantly asking "why does this work and that doesn't." Turns out that question doesn't stay contained to design.

4

places lived

Virginia, North Carolina (growing up), Atlanta, Alaska (4 years), now Maryland.

2

kids, both under 2

My most honest usability testers. If it doesn't work in 5 seconds, it's getting thrown.

6+

years designing

For an industry I wasn't trained in — only observed, obsessively.

1

international move in progress

Currently in Maryland, relocating to Abu Dhabi in July 2026 for my husband's job. Next dataset: an entirely new market, observed in real time.

0

formal UX certifications

Zero formal certifications. Six years of asking "why did that work and that one didn't" instead — pattern recognition built the hard way.

A moose walking through snow at blue-hour dusk in Alaska.

One thing I've learned is how to adapt. After you've lived somewhere the sun never sets in summer and barely rises in winter — daylight 24 hours a day, then dark for 22 — you learn to adjust to almost anything. That's Alaska. It taught me to read a new environment fast and meet it where it is. Turns out that's most of what research is.

Why → Research

The hair stylist who was already fully booked.

When I started designing, I couldn't stand loud, overly crowded branding. I knew I wanted to make brands that attracted people ready to spend money — but I needed to know what got them there. What font. What colors. What layout.

Then I started building websites for hair stylists, and I noticed something. I'd land on one stylist's site and her booking policy would be screaming at me in bold caps — like I'd already done something wrong before I'd even booked. Then I'd find another stylist whose site answered every question before I thought to ask it. It felt like an experience. The features made sense for what she offered. She was fully booked.

Same industry. Same service. Completely different outcomes. That wasn't a design problem — that was a research problem. That's how strategy became my love language, and research became the reason behind every decision.

Featured Work

Five projects, one question repeated: why does this work?

01

Favour Pieri

OutcomeA stylist had a logo. A house got an architecture — the gap between how she saw herself and how the world saw her closed.

A talented stylist was invisible to the client she actually wanted. I researched the market, found the territory no one else owned, and rebuilt her into a three-division brand with a belief system underneath it.

Brand Strategy · Information Architecture · Audience Research Read the case study →
02

Revamped Group

OutcomeThe brand went from a scattered set of touchpoints to one coherent journey people could actually follow to "yes."

A growing service business had the offer but not the journey — prospects fell out between interest and commitment. I mapped the path end to end and rebuilt the moments where people were quietly leaving.

Service Design · Journey Mapping · Conversion Research Read the case study →
03

Beauty Mark RX

OutcomeThe brand closed the distance between how qualified she is and how qualified she looks — now you'd trust her with your face.

A licensed OR nurse with real medical credentials had a brand that read like a college side hustle. In a field where trust is everything, that gap was costing her. I rebuilt the brand to match her actual authority.

Trust & Credibility · Brand Identity · Audience Research Read the case study →
04

Agathe Hair Beauty

OutcomeShe went from invisible to findable in two languages — and now gets a live stream of why people don't convert, straight to her phone.

A gifted braider was last in a crowded market — not for lack of skill, but because nothing online answered the questions that stop people from booking. I rebuilt the experience, and built her a tool to capture why visitors leave without booking.

Conversion Research · Drop-Off Analysis · Inclusive UX Read the case study →
05

Tahjeira Anaiah

OutcomeShe now reads as a professional creator — the packaging finally confirms what her content already proved: she's worth paying.

A content creator with strong work was getting passed over by the brands she wanted. Her visual identity didn't match her content, and didn't signal "this is someone worth paying." I built a personal brand that closed that gap.

Personal Brand · Perception Research · Identity Systems Read the case study →

Process

How I think about every project.

Same four moves on every project — it's how this whole site is structured, too.

O

Observation

What do I notice before I touch anything? The pattern, the gap, the friction nobody named.

H

Hypothesis

What do I believe is true because of that observation — and what would change if I'm right?

D

Decision

What I build, and why each choice — font, color, layout, copy — ties back to the hypothesis.

N

What I'd test next

The next question. Iterative thinking — because a decision is a bet, not a conclusion.

Off the Clock

What I pay attention to when no one's paying me to.

  • Currently watching

    Scandal

  • Currently studying

    the book of Esther

  • On repeat

    Cleo Sol — "Life Will Be"

  • Always the priority

    my family

  • Could talk for hours about

    natural hair care, beauty, and learning new things

  • Lately

    long walks

Amaya and her husband bundled in ski gear and goggles on a snowy day.
Stylized illustration of Amaya and her husband on a palm-lined beach.
Amaya's husband seated on the snow with a snowboard on an Alaskan slope under a bright blue sky.
A glowing multicolored 'NEON' sign on a quiet street at night.

Contact

Reviewing this with your team?

hi@amayapatterson.com LinkedIn ↗